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For
many years, my focus was to satisfy my intense longing to immerse
myself in Africa and experience its wildlife.
To produce the images, I've drawn from a bank of material collected
over the years so that I am not restricted to one country or
to one time.
Elizabeth B. Henry |
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News, Past Trips and Exhibitions
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Zanzibar Visit |
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Zanzibar still echoes of spice, of slave trade, of exotica. How do I relate the tangle of alleys, the status of old carved Merchant doors, of fans, of houses carved from live corral and where it has worn, the fossils show. In the country by the pale waters of the Indian ocean, the gallop of outgoing and incoming tide, sand like sugar, Red-Colobus monkeys in their tidy forest unique in all the world down the road.
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Ancient Gifts |
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In mid September of 2006, before the rains, when huge numbers of
animals congregate at the last remaining water holes, I plan to return
to Africa. This time to Tanzania and the Northern Serengeti. Under the
expert guidance of Richard Knocker, we will also be visiting the Sand
River and the Selous Game Reserve, the largest in all of Africa as well
as the Mahale Mountain area and Lake Tanganyika where there is a colony
of chimpanzees that have been the subject of research over a number of
years.
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"Eye
on Eden" |
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"Bewitching
Africa, Eternal Eden" |
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Photo
essays of
Elizabeth B. Henry
Greenwich Arts Council, Greenwich, Connecticut
April 3-26, 2003
For more information call 203 622 3998
www.greenwicharts.org |
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Nature’s
Best Magazine — Winter 2003 |
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Portraits of Africa
The Photographic Art of Elizabeth B. Henry
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Photography,
like any other form of art, is a language used to
express an inner voice. For photographer and artist
Elizabeth Henry, that voice is one of passion for
a land that words could never truly describe. In
sepia tones that conjure the early days of Africa
exploration, Henry combines her images of wildlife
and landscapes to create powerful and symbolic portraits
of a land as captivating as it is mysterious.
“Before
my focus through a camera lens became a consuming
interest, my artistic life was with a hammer,
chisel, rasp and stone, trying to meet the challenge
of sculpting animals. By osmosis, one’s
eyes and creative intuition begin to be acutely
aware of line, shadow, and dimension.
I
often think of my compositions as ‘small
worlds’—brief stories that took place
in front of me, events often seen quickly and
with great intensity. I want the viewer to step
out from himself for a moment and accept the invitation
to visit behind the frame, for not everything
initially is seen at once in these ‘captured
events’.”
“My
images will hopefully underscore the vital importance
of preserving Africa’s species and their
environments that are so threatened.”
—Elizabeth B. Henry
Since 1981, Elizabeth Henry
has exhibited in galleries across the country.
She has held several one-woman shows and continually
uses her work to benefit nonprofit organizations
such as The Flying Doctors of East Africa and
Dr. Iain Douglas-Hamilton’s Save the Elephant
Tusk Trust. In 2003, she will have a solo exhibit
of more than 30 photographs at the Bendheim Gallery
in Greenwich, Connecticut.
(See announcement above)
www.NaturesBestMagazine.
com
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Entire
site contents ©copyright 2008 Elizabeth B. Henry.
All rights reserved. All Photographs are the property
of Elizabeth B. Henry and are protected under United
States and international copyright laws. The photographs,
or any parts of it, may not be reproduced, stored,
or manipulated without the written permission of Elizabeth
B. Henry. |
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